Toronto International Film Festival

TIFF 2021: Interview with Director/Writer Blaine Thurier and Actress Alanna Bale of KICKING BLOOD
TIFF 2021: Interview with Director/Writer Blaine Thurier and Actress Alanna Bale of KICKING BLOOD

Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.

TIFF 2021 Report 4: ZALAVA, SUNDOWN, THE GOOD HOUSE & SILENT NIGHT
TIFF 2021 Report 4: ZALAVA, SUNDOWN, THE GOOD HOUSE & SILENT NIGHT

Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.

TIFF 2021: WHERE IS ANNE FRANK: Creative Animation Vs. Wonky Plot
TIFF 2021: WHERE IS ANNE FRANK: Creative Animation Vs. Wonky Plot

Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.

TIFF 2021: Director Penny Lane for Listening to Kenny G
TIFF 2021: Director Penny Lane for LISTENING TO KENNY G

Listening to Kenny G is an examination of what art is or should be, and details it through the lens of an artist who is not given the credit he deserves.

TIFF21 Report 3: The Mad Women’s Ball, Out of Sync & I’m Your Man
TIFF21 Report 3: The Mad Women’s Ball, Out of Sync & I’m Your Man

Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.

TIFF 2021 Report 2: SILENT LAND, ENCOUNTER & DUG DUG
TIFF 2021 Report 2: SILENT LAND, ENCOUNTER & DUG DUG

With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!

HIFF Report 1: SPENCER, NINJABABY, FACELESS, & BEING BEBE
TIFF 2021: SPENCER & THE EYES OF TAMMY FAYE

In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.

TIFF 2021 Report 1: ALONERS, VIOLET & THE HILL WHERE LIONESSES ROAR
TIFF 2021 Report 1: ALONERS, VIOLET & THE HILL WHERE LIONESSES ROAR

Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.

TIFF 2021: SALOUM Director Jean-Luc Herbulot On Creating A New Wave Of African Cinema
TIFF 2021: SALOUM Director Jean Luc Herbulot On Creating A New Wave Of African Cinema

Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.

TIFF 2021: THE WHEEL: Honesty Strikes Through A Failing Marriage
TIFF 2021: THE WHEEL: Honesty Strikes Through A Failing Marriage

The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.

5 Under-The-Radar Films from TIFF to Watch for Independent Film-Lovers
5 Under-The-Radar Films from TIFF to Watch for Independent Film-Lovers

Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the independent film lover’s radar.

5 Under-The-Radar Films from TIFF to Watch That Will Resonate with General Audiences
5 Under-The-Radar Films from TIFF to Watch That Will Resonate with General Audiences

Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the general public’s radar.

Toronto International Film Festival 2020: PIECES OF A WOMAN: A Veristic Portrait Of Grief Bolstered By Its Star
TIFF 2020: PIECES OF A WOMAN: A Veristic Portrait Of Grief Bolstered By Its Star

Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.

Toronto International Film Festival 2020: THE BOY FROM MEDELLÍN: An Important Reflection on the Political Role of Public Figures
Toronto International Film Festival 2020: THE BOY FROM MEDELLÍN: An Important Reflection on the Political Role of Public Figures

Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.

TIFF 2020: 180° Rule
TIFF 2020: 180° Rule

The individual pieces of 180° Rule can be quite accomplished, but the film simply isn’t able to capitalize on the sum of its own parts.