Toronto International Film Festival
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
Few movies at this year’s Toronto International Film Festival seemed to elicit as much division among viewers as The Whale. T
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
Film Inquiry spoke with Darlene Naponse director of the TIFF22 film Stellar!
While both Causeway and Aftersun are first time features by a promising young filmmaker steeped in examining our past sorrows, both do so in different ways.
All the Beauty and the Bloodshed is vibrant and incisive as a portrayal of art’s power in both directions.
Even if you can predict where the narrative goes, there is no denying that The Inspection carries a powerful story with an emerging voice of talent.
Big stars giving wacky performances in a Mediterranean locale is essentially all one needs to know about Glass Onion.
While the North of Normal and Victim both revolve around motherhood, its central protagonists could not be any more different from one another.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
Flexing his filmmaking prowess here, Clement Virgo’s Brother is a striking example of narrative storytelling that reaches a high emotional altitude.
Scarborough follows the lives of three families and expands on their struggles and triumphs as they navigate through adversity.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.