Toronto International Film Festival
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!
In this report, Kristy Strouse covers The Happiest Man in the World, Women Talking & Return to Seoul!
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Michal Blaško spoke with Film Inquiry about the film during its presentation at the 2022 edition of the Toronto International Film Festival.
Sarah Gadon has always had a keen eye for interesting roles, and she keeps that streak going with her portrayal of an imperfect mother in North of Normal.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Though it falls into some psychological thriller tropes, Baby Ruby gets its message across thanks to a phenomenal performance by Noémie Merlant.
In this report from the 2022 Toronto Film Festival, we look at two movies featuring some of the most intriguing lead actors working in the industry today.