Toronto International Film Festival 2019
Simple Women makes for an interesting examination of false effigies and washed-up idols and one thing’s for sure, the two women in focus are most certainly anything but simple.
During TIFF, Wilson Kwong had the chance to sit down with Zaida Bergroth and chat with her about her new film, Maria’s Paradise.
Pietro Marcello’s soaring melodrama, Martin Eden, is a sinking portrait of an unravelling autodidact writer in Naples—tragic and beautiful all the same.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
Joker, although clearly a different approach to comic book movies than in the past, just doesn’t feel like a fully developed film.
While at TIFF 2019, Wilson Kwong had the opportunity to speak with production designer for JoJo Rabbit, Ra Vincent.
A letter to love each other by looking to the past through the eyes of a child, Jojo Rabbit is as ridiculous and audacious as it is sweet and charming.
Knives Out will appeal to fans of the detective mystery genre, fans of the astounding cast, or those who love Johnson’s subversively entertaining films.
Straight from Toronto International Film Festival, Brent Goldman covers Human Capital and The Wild Goose Lake.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
Above all, Pedro Almódovar’s latest film Pain and Glory is a semi-autobiographical trilogy and a love letter to cinema.
Monique Vigneault had the opportunity to speak with actress Nadine Labaki and director Qualid Mouaness about their latest film 1982.
Céline Sciamma’s tender masterpiece paints a portrait of visual poetry, of what happens when art intersects with love for a fragment of time.
John Crowley’s adaptation of The Goldfinch lets down its source material and is, above it all, limp Oscar-bait.