Best F(r)iends: Volume One’s dramatic ambitions are a step in the right direction for the legendary pair, but its low-budget nature severely limits its potential, especially when it comes to its technical credits.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.
Both Ed Wood and Tommy Wiseau are renowned for their truly bad movies; two later films attempted to uncover the depth of their enigmatic natures: Tim Burton’s Ed Wood and James Franco’s The Disaster Artist.
Cinematic failures appear in all shapes and sizes; some are critically acclaimed upon release only to become hated months later. Others get shunned by critics and audiences only to develop cult followings years later. In this day and age, where every other film has a sizable cult following, it is difficult to determine which films have truly earned their cult status.