Toby Jones
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Out of Blue can’t be faulted for its ambitions, but there’s a lack of focus, oscillating wildly between genres and never satisfying as any.
Film Inquiry spoke to director Carol Morley about Out of Blue, why she chose to adapt a Martin Amis novel, and why Patricia Clarkson is a gay icon.
Certainly a crowd pleaser, Zoo is light and easy, yet lacks a certain depth for its subject matter, despite its talented cast, that will leave you wanting more.
Powered by memorable performances and Saul Dibb’s sobering deconstruction of the individuals who fought for their country, the engrossing Journey’s End is a hard-nosed, hard-hitting centennial tribute to Britain’s heroes.
I love the TV show Dad’s Army. Originally aired between 1968 and 1977, it is a show that remains hugely popular to this day, and I can watch it every Saturday night on BBC Two and listen to the radio version every Monday morning on BBC Radio 4 Extra. Like all incredible BBC comedies, it makes up a part of the British psyche and its characters and catchphrases are legendary.