Timothée Chalamet
In 1965, a young Bob Dylan shakes up his act on the folk music scene by going electric and siring rock as the voice of a generation.
The story will focus specifically on a young Willy Wonka and how he met the Oompa-Loompas on one of his earliest adventures.
A boy becomes the Messiah of nomads on a desert planet that has giant worms that protect a commodity called Spice.
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
A newly crowned king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Lady Bird is one of the best modern coming of age stories, but the greatness likely stems from the small scenes many audiences might miss.
Beautiful Boy is a simple story of a dying boy and his father’s desperation, and a complex addressing of the difficulties in achieving sobriety.
Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.