TIFF 2021
As part of TIFF 2021, we took a look at The Power of the Dog, Benediction, After Blue, and Compartment No. 6.
Scarborough follows the lives of three families and expands on their struggles and triumphs as they navigate through adversity.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
Listening to Kenny G is an examination of what art is or should be, and details it through the lens of an artist who is not given the credit he deserves.
In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.