thriller
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
While not as gory or jumpy as a modern horror movie, The Cabinet of Dr Caligari is definitely a horror movie.
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
Street Fighter reminds us that even a bad movie can be loads of fun and make you feel like a little kid again.
The Black Demon is so bad that it actually ends up being great.
The Wrath of Becky still aims and hits the mark for a playful but brutal massacre.
While the lack of resolution is disappointing for the audience it doesn’t make The Night of the 12th any less powerful.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.
There are many reads you could take from Vincent Must Die and how its theme speaks to you will be your own experience.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.