thriller
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
The Descent is a film you literally feel, in a league all of its own.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
Safety Last!, Harold Lloyd’s most famous picture, manages to have impressive effects while also delivering delightful comedy throughout.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!