thriller
The Salesman is the latest by renowned filmmaker Asghar Farhadi, succeeding as both a political thriller and a tightly-knit character drama.
With finely tuned performances, The Man With Four Legs is also a visual treat, working within a genre that is often difficult to define.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.
Get the Girl is an action movie that is obsessed with the idea of an action movie, but not with actually being one.
Patriots Day is a memoir to the tragic events of the 2013 Boston Marathon Bombing, brought to screen both tactfully and honorably.
Nocturnal Animals is Tom Ford’s latest film, presented in lavish and bright neon colors; though it also possesses a hopelessly dark view.
The Unknown Girl sees the directors yet again flirt with their beloved recurrent theme of criminality, here taking their most overt detour into procedural thriller territory to date.
We caught up with successful British horror director Prano Bailey-Bond, chatted about her sort film NASTY and her upcoming projects!
Jack Reacher: Never Go Back is a sequel that falls flat and misses the opportunity to create something worthwhile.
Sugar Mountain is a dark thriller about life in small-town America; with fine character acting and tension building, it’s a unique hit.
Anonymous is a film based on computer hacking, yet, with a less than subtle focus, it feels much like a tamer version of the show Mr. Robot.