thriller
Personal Shopper is the rare film that is unclassifiable in terms of genre, refusing to neatly fit in to the preconceptions of a horror film, as well as lacking a distinctive explanatory reading.
For a story we’ve seen over and over, Mean Dreams, Bill Paxton’s last film, is compelling, refusing to take the usual narrative routes.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
I Don’t Feel at Home in This World Anymore is a dark comedy that explores timely subjects of loss of protection and fear, in an effective way.
The Salesman is the latest by renowned filmmaker Asghar Farhadi, succeeding as both a political thriller and a tightly-knit character drama.
With finely tuned performances, The Man With Four Legs is also a visual treat, working within a genre that is often difficult to define.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.
Get the Girl is an action movie that is obsessed with the idea of an action movie, but not with actually being one.
Patriots Day is a memoir to the tragic events of the 2013 Boston Marathon Bombing, brought to screen both tactfully and honorably.
Nocturnal Animals is Tom Ford’s latest film, presented in lavish and bright neon colors; though it also possesses a hopelessly dark view.