thriller
In the Shadow of Iris has inklings of greatness, but it suffers from a muddled plot and some questionable casting and production choices.
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Unforgettable is an attempt at a provocative erotic thriller, but it relies on overused tropes and cheap parlor tricks to get it done,
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.
Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.