thriller
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.
B&B is a Hitchock-inspired thriller that manages, while not gracefully, to hit on a broad spectrum of issues gay people face in the West.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
Despite some well-directed action sequences, Unlocked is mostly fleeting entertainment, inserting nothing new into a tired-out spy genre.
In the Shadow of Iris has inklings of greatness, but it suffers from a muddled plot and some questionable casting and production choices.
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
City of Tiny Lights reflects urban British society as it really is, with culturally diverse characters and communities at its heart.