thriller
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.
The John Wick films pose challenging questions about the nature of violence and the type of men who are attracted to its endless cycle.
The Atoning is an unoriginal, predictable, and underwhelming independent horror film, nothing you haven’t seen before but done much better.
Easy Living is an interesting and insightful character study into a self-destructive woman, who is scared of showing her true self.
Wind River is a haunting and wonderfully acted murder mystery that casts light on the inequality within Native American communities.
Wetlands chronicles one man’s inauspicious return home in an attempt to make amends with his family and restart his cop career.
Saw II might not be as strong or as fresh as its predecessor, but it has enough about it that works, making it a guilty pleasure watch.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.
Icarus is a somewhat messy if also interesting look at the doping practices in Russian sports, with a director who gets in over his head.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.