thriller
Wetlands chronicles one man’s inauspicious return home in an attempt to make amends with his family and restart his cop career.
Saw II might not be as strong or as fresh as its predecessor, but it has enough about it that works, making it a guilty pleasure watch.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.
Icarus is a somewhat messy if also interesting look at the doping practices in Russian sports, with a director who gets in over his head.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
Though with the talented Halle Berry at the helm, Kidnap is a poorly made action thriller that is lacking in story, acting, and execution.
Atomic Blonde may be sloppy in structure, but it is oozing with immaculately executed action and a finely tuned performance by Theron.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Fire Walk With Me is a bolder, darker look at the Twin Peaks universe, but it is essential in understanding the show’s larger themes.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.