thriller
Now streaming on Sundance Now is Rainer Werner Fassbinder’s final film, Kamikaze 1989. While mostly nonsensical, it’s a joy to watch.
Sweet Virginia is a gripping, atmospheric movie, with stellar acting and a characterful script who’s only fault is it is not long enough.
Basic Instinct is a famous noir thriller by Paul Verhoeven from 1992; here is why it is still both celebrated and reviled today.
There are certain stereotypes that continue in Hollywood: the young ingenue, the method actor and…
Suburbicon is a somewhat effective thriller that unfortunately squanders its potential at being a deeper film about racial tension.
Creep 2 takes the comedy and emotional performances of its predecessor to create something entirely new and unique.
Taxi Driver is a complex film in the way it presents a relatable character and then shows the increasingly erratic choices that he makes.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.
Despite a strong premise, The Unraveling is a film that doesn’t quite go to that dark place that it should, with poor writing and acting.
Despite belonging in the overdone sub-genre of found footage, Hell House LLC manages to just stand out amongst the masses.
Happy Death Day is a fun slasher film that likens back to the slasher days of old, albeit with a Groundhog Day twist.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.