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The Insidious franchise has quietly grown to be one of the most impressive and contemporary horror- and Insidious: The Last Key is another solid entry, despite the January release date.
Though occasionally unsurprising, Better Watch out is a strong alternative to the regular holiday viewing because of the nasty genre thrills it delivers whilst being wickedly funny.
Mom and Dad maintains its absurdity, while not completely abandoning its eerie core, sensitively playing off a very personal, instinctual source of parents defending their young – until they become prey.
Director Luca Guadagnino’s three previous films, including critical favourite Call Me By Your Name, couldn’t seem any more different from the outside. All three are linked by the theme of desire- but does that reverberate into a thematically coherent trilogy?
Though containing some elegant set design and impressive cinematography, Murder on the Orient Express can’t quite intrigue you to the potential that it could’ve, due to underdeveloped characters and an anticlimactic final reveal.
From France, Nocturama is an unusual film about disillusioned teenagers that commit an act of terrorism; unsurprisingly, it provides no easy answers.
Paul Cotgrove’s Horror on Sea festival is championed by up and coming genre filmmakers across the world. Film Inquiry met with Paul to find out why his small seaside festival has become a phenomenon.
Based on true events, Compliance is a film about the police and following authority – it’s compelling, if also extremely disturbing as well.
Director S. Craig Mahler follows up Bone Tomahawk with Brawl In Cell Block 99, an unflinchingly violent and truly original revenge thriller.
Heavily reminiscent of Michael Haneke’s Funny Games, Chameleon boasts three great performances – but still leaves a sour aftertaste.
Thelma is an otherworldly take on the coming-of-age film, telling the story of a girl starting college and discovering herself in the process.
Chilean film Chameleon depicts horrific sexual abuse of women, and doesn’t do enough to redeem itself; it is nothing but exploitative.
Paul Verhoeven is a distinguished director in the cinematic world of the past few decades; here is a rundown of his career.
24 Hours to Live may be riddled with plot holes and clichés, but thanks to a committed Ethan Hawke and some fun action, it’s a decent time.
It may have been sat on the shelf for three years, but Angelica is worth the wait- a slow burning period piece that’s quietly powerful.