thriller
We were able to talk with Jessica Barth, star of the horror Along Came the Devil, about her awesome stunt work on Deadly Lessons and her great working relationship with Seth MacFarlane.
The Darkest Minds brings some potentially daring concepts, but builds them to nothing, with not even its action scenes being a saving grace.
A ghost of the film it tries to summon, The Secret of Marrowbone is unable to pull everything together and its disparate elements fail to coalesce into anything approaching satisfying.
Unfortunately, the Billionaire Boys Club takes a common Hollywood film concept and fails to deliver anything more original than its predecessors.
Episode 5 of Sharp Objects, Closer, is the weakest episode of a brilliant bunch but one still packed with fantastic character work and shattering performances.
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
The Equalizer 2 takes the raw entertainment value of the original film, inverts it into something unflinchingly brutal, removes the quirks of its main character, and builds to an anticlimactic final battle.
Unfriended: Dark Web shows that by tapping into modern communication, it’s possible to create a new cinematic language for the slasher sub-genre.
While the premise is nothing new, Calibre’s approach to it is rather refreshing – it’s a confident thriller that constructs tension effectively.
Xavier Gens’ science fiction fantasy Cold Skin is a hotbed of promising concepts. The problem is, it doesn’t know what to do with them.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.
The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.