thriller
We spoke with Luke Del Tredici about the ten-year process of getting Arizona into production, the fragility and elusiveness of the American Dream, Brooklyn Nine-Nine, and much more!
In “Falling”, Sharp Objects becomes its strongest self, maintaining the fervent atmosphere, visual detail and world-class performances.
Lacking the dirsired jump scares and trust in itself, Our House is a film that will now be stuck in limbo, too tame for modern horror audiences and not emotionally satisfying enough for others.
Bleeding Steel is a chaotic and extravagant attempt to imitate the futuristic settings of other box office fare of its time, which only highlighted the throwback quality of the central character.
To watch Chappaquiddick and then ponder the life of Ted Kennedy in such a manner undoubtedly must lead to introspection.
While there remain more noticeable cracks in the latest two Sharp Objects episodes than the earlier days of the miniseries, it endures well into the sixth hour as an unparalleled and enthralling television experience.
Blackkklansman works on every level – it tells a wildly entertaining story while addressing a pressing social issue with intelligence and moral heft.
We were able to talk with Jessica Barth, star of the horror Along Came the Devil, about her awesome stunt work on Deadly Lessons and her great working relationship with Seth MacFarlane.
The Darkest Minds brings some potentially daring concepts, but builds them to nothing, with not even its action scenes being a saving grace.
A ghost of the film it tries to summon, The Secret of Marrowbone is unable to pull everything together and its disparate elements fail to coalesce into anything approaching satisfying.
Unfortunately, the Billionaire Boys Club takes a common Hollywood film concept and fails to deliver anything more original than its predecessors.
Episode 5 of Sharp Objects, Closer, is the weakest episode of a brilliant bunch but one still packed with fantastic character work and shattering performances.
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
The Equalizer 2 takes the raw entertainment value of the original film, inverts it into something unflinchingly brutal, removes the quirks of its main character, and builds to an anticlimactic final battle.