thriller
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome.
We were able to talk with Colin Minihan and Brittany Allen, the director and star of the thriller What Keeps You Alive.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
The Angel applies a straightforward template devoid of innovation or complications feeling far too standard for such an unconventional story.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
In this report from Western Australia’s CinefestOz, we cover everything from budget sci-fi to LGBTQ documentaries.
Lizzie may be a fictional tale of a real-life crime that we will never fully know the truth of, but it sure is an intriguing and especially a well-designed one.
The latest episode of Castle Rock, “Henry Deaver”, dives further into the mystery behind the character, providing us with an alternative, intriguing world.
With adequate locations and a potentially interesting atmosphere, The Nun creates a darkly lit ordeal that is one silly “nun-sensical” roller coaster ride of jump scares.
Kin is a meandering road saga, filled with detours and dull patches and an ending that is both truly bizarre and unintentionally funny.