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In this first edition of She Looks Back, we take a moment to look back at the Hitchc*ck inspired Last Embrace from director John Demme – a film that deserves a second look.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Unfortunately, despite Origin’s good intentions and mysterious manner, it’s simply too derivative and absent of any originality to really recommend an immediate watch.
Another cinematic stab at Lisbeth Salander will always appeal to the character’s preexisting fans, but The Girl in the Spider’s Web does nothing to show the uninitiated what they’re missing.
Monster Party is a quick, gory horror romp with a modern sensibility. It’s undoubtedly a bloody good time.
This week’s episode of Doctor Who, on board a travelling space hospital, the gang come up…
Dark Money does provide some hope, but the film falls short in helping the viewer to understand how he/she can be empowered to make a difference.
Although it’ll be overshadowed by The Hate U Give, River Runs Red is an important film. The themes it explores make it a vital piece of social commentary.
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
The horror of the unknown, the horror of David, the horror of The Guest, all trace back to the simple question the film asks us and then leaves to fester: “Who is David Collins?”
Aided by a stellar central performance from Matt Dillon, The House That Jack Built is an unforgettable, uncomfortable nightmare, and one of the few films of the current age that more than lives up to its transgressive billing.
S. Craig Zahler’s loyal cult following will find much to love with Dragged Across Concrete, although first time viewers will find it a difficult watch.
Possum is an impressively chilling debut from Holness and credit must go to the director for taking a risk on a darker affair.
22 July begins as an urgent and devastating film, before suddenly turning into a never-ending slog, destined to leave viewers wondering where things went wrong.
While the film possesses a level of craft and passion that cannot be ignored, Await Further Instructions is missing something vital: originality.