thriller
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Beyond a creative design and trailer, Killer Sofa is an idea that may have been conceived and executed foolheartedly.
With the personal and professional lives of FBI agents Holden Ford (Jonathan Groff) and Bill…
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Ne Zha might not be the best animated film of the year, but China is getting awfully close in competing against Hollywood’s animated offerings.
Joker, although clearly a different approach to comic book movies than in the past, just doesn’t feel like a fully developed film.
Knives Out will appeal to fans of the detective mystery genre, fans of the astounding cast, or those who love Johnson’s subversively entertaining films.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.
Mirrah Foulkes’ folk tale of misogyny in the Middle Ages, Judy & Punch, is sometimes mischievous and sometimes utterly volatile, but never formulaic.
Between a disorganized format, poor storytelling choices, and novice performances, we condemn 47 Meters Down: Uncaged to the chum bucket.
Living up to its eccentricity and lyrical presence, Every Time I Die extensively utilizes its piercing score and shadowy effects.