thriller
While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Beyond a creative design and trailer, Killer Sofa is an idea that may have been conceived and executed foolheartedly.
With the personal and professional lives of FBI agents Holden Ford (Jonathan Groff) and Bill…
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Ne Zha might not be the best animated film of the year, but China is getting awfully close in competing against Hollywood’s animated offerings.
Joker, although clearly a different approach to comic book movies than in the past, just doesn’t feel like a fully developed film.
Knives Out will appeal to fans of the detective mystery genre, fans of the astounding cast, or those who love Johnson’s subversively entertaining films.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.