thriller
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
The Report is deserving of every ounce of praise it receives on its performances, accuracy, and commentary, but getting through the film is a bit of a slog.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
Countdown is not aggressively terrible, but it’s life-threateningly dull.
Doctor Sleep may not be the most satisfying conclusion to both the book and film version of The Shining, yet it is still an engaging film in its own right.
Reporting from Chicago International Film Festival, Lana Stanczak reviews Components of Love, Jojo Rabbit and The Irishman.
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
Glass Cabin is a delectable little horror short reaching into the depths of the human mind, a mind that cannot be trusted.
Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.
The Dead Center is one of the more intriguing, effective indie thrillers as of recent memory.
With the second half of the season left to still air, and the follow-up episode giving attention to the survivors, AHS 1984 seems primed for a sequel.