thriller
For our second report from the Fantastic Film Festival Australia, we take a look at…
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
Before the season ends, The Outsider has to deliver a reasonably satisfying conclusion that’ll at least gratify those viewers who stuck with the series.
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.
After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.
Even with the brilliance of Faran Tahir’s believable portrayal of a broken villain, I Am Fear flaws weigh heavy, even in the final moments.
What is it about Psycho’s shower scene that allowed it to become one of (if not the) most iconic in the entire history of its medium?
Each of these stories featured an intriguing idea with theirr own successes, yet the compilation of Grim Woods leaves much to be desired.
Last week, Holly Gibney (Cynthia Erivo) was in jeopardy, Ralph (Ben Mendelsohn) was really trying…
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
We were able to talk with Veronica Chen at Sundance Film Festival, director of the thriller High Tide.
With only three episodes left in HBO’s slow-burn mystery-horror series, anything can happen at this point.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.