thriller
With only two episodes left, and with everyone off their games, everything could turn into fireworks by the end of this season of Killing Eve.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Blood and Money is so content to occupy the safe middle ground without ever doing anything of interest, that it feels like a heartless exercise.
We review episode 5 of the third season of Killing Eve.
Gripping and irresistible, The Stranger will have you holding your breath and on the edge of your seat until the final moments.
Ema is not like any other film that has come out this year so far. Its celebration of female agency is like a fever dream — indescribable and euphoric.
When compared to the previous three episodes, ‘Still Got It’ is by far the strongest installment of season three of Killing Eve.
Arkansas is beautifully constructed and represents its subject in every solitary element.
The third episode of Killing Eve gives us a little hope that maybe there’s still some part of the show that can have a lot of fun despite its dark and bloody premise.
Although it seems to promise an unvarnished view of a topical issue, ultimately The Flood’s refusal to pick a side robs it of any real purpose.
With strong performances by the young cast, and beautiful cinematography, Stray Dolls is an intriguing crime drama with an important insight into a forgotten part of American society.
The season three premiere of Killing Eve last week was quite a letdown. Not only…
The finale of Devs is a strong one, bringing together all of the show’s more prominent themes and storylines and ending on a bittersweet note.
Delightful as it is to see these familiar faces get back on our screen, Killing Eve’s third season opener was a bit formulaic and a little edgeless.
Picking up the pace, episode 7 of Devs brings together several significant plot points, leading up to the supposedly predetermined fate of the final episode.