thriller
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
We spoke with director Vaughn Stein about his upcoming film Inheritance, working with Simon Pegg and Lily Collins, his next film, and more.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
As we reflect on this modern phenomenon and our fear of it in film, we must be careful not to make the same errors as the media has made in covering mass shootings.
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
With only two episodes left, and with everyone off their games, everything could turn into fireworks by the end of this season of Killing Eve.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Blood and Money is so content to occupy the safe middle ground without ever doing anything of interest, that it feels like a heartless exercise.
We review episode 5 of the third season of Killing Eve.
Gripping and irresistible, The Stranger will have you holding your breath and on the edge of your seat until the final moments.
Ema is not like any other film that has come out this year so far. Its celebration of female agency is like a fever dream — indescribable and euphoric.
When compared to the previous three episodes, ‘Still Got It’ is by far the strongest installment of season three of Killing Eve.
Arkansas is beautifully constructed and represents its subject in every solitary element.
The third episode of Killing Eve gives us a little hope that maybe there’s still some part of the show that can have a lot of fun despite its dark and bloody premise.
Although it seems to promise an unvarnished view of a topical issue, ultimately The Flood’s refusal to pick a side robs it of any real purpose.