thriller
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
Wilson Kwong spoke with director Alex Prieur-Grenier about his film 2011, premiering at Fantasia Film Festival 2020.
Unhinged attempts to evoke the fears and stress of living in our modern times, yet it mostly remains stuck in first gear.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
What We Found is a well-paced thriller that explores important issues while blending darker elements with a realistic and engaging friendship at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
We spoke with Jeremy Allen White about his role on the long-running series, Shameless, and in Dave Franco’s directorial debut: The Rental.
We spoke with Sheila Vand about starring in Dave Franco’s directorial debut The Rental, actors turning directors, and lots more!
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.