thriller
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
What We Found is a well-paced thriller that explores important issues while blending darker elements with a realistic and engaging friendship at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
We spoke with Jeremy Allen White about his role on the long-running series, Shameless, and in Dave Franco’s directorial debut: The Rental.
We spoke with Sheila Vand about starring in Dave Franco’s directorial debut The Rental, actors turning directors, and lots more!
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
Guillaume Pierret’s Lost Bullet is a wannabe Mad Max that takes in pride in flaunting its no-nonsense action movie tag.
At the center of Woo Min-ho’s The Man Standing Next lies a political scandal that has puzzled historians for decades.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.