thriller
Film Inquiry interviews Joe Penna about his film Stowaway and the sense of isolation it presents and the everlasting prospect of hope.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Say Your Prayers is a thoughtful and humorous exploration of morality, religion, and the strength of individual people.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Film inquiry had the chance to speak with Vaughn Stein, the director of Every Breath You Take, a deep character study in disconnected yet shared grief.
While a bumpy ride to the end, it is an intriguing character study that examines grief and loneliness while infusing intensity and thrills.
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
For the 60-year anniversary, Film Inquiry muses on Allen Baron’s noir film Blast of Silence and its existential prison of shadow and sound.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.