thriller
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
There are some fine performances and strong scenes here and there but the editing darts between so many stories that it’s just begging for a fan cut.
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
While it may not be as ambitious or as deep as it could have been, it is an exciting genre film with a charismatic performance from Angelina Jolie.
Wrath of Man fails to make the most of an inventive story structure and a typically solid Statham performance, smothered under layers of bland masculinity.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
Film Inquiry interviews Joe Penna about his film Stowaway and the sense of isolation it presents and the everlasting prospect of hope.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Say Your Prayers is a thoughtful and humorous exploration of morality, religion, and the strength of individual people.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.