thriller
Despite a trepidatious takeoff and a bit of a rocky landing, where Charlie Tango really shines is at its cruising altitude.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
Samir Oliveros spoke to Film Inquiry about his latest film The Luckiest Man in America.
Film Inquiry spoke with Edward Berger, director of Conclave, for the Toronto International Film Festival.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
While Subservience knows how to deploy its star, it still can’t fully live up to the promise of this meta-premise or her talents as a performer.
For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
Nostalgia aside, Álvarez also has a knack for elaborate production design in addition to building intense action sequences and engaging characters.
Sunny had a striking opportunity to tackle a growing reality, but it only gets part of the way there before reverting to genre mechanisms.
Rialto Pictures is distributing a 4K restoration of The Conversation in honor of the 50th anniversary of its original theatrical release.
Following the events of “The Batman,” Oswald “Oz” Cobblepot is a gangster aiming to rise to the top of the criminal underworld in “The Penguin.”
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.