thriller
Nitram is a potboiling study of human fragility that doesn’t heal our scars so much as it asks us to accept that they are here to stay.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
Sion Sono’s English-language debut stars Nicholas Cage as a criminal forced to track down the granddaughter of an Old West-meets-Mad Max warlord.
A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.
When one looks beyond the immediate novelty of the film’s title, one is taken aback by how dull and derivative Yakuza Princess actually is.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.
Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.