While the film does linger at times, underutilizing a few characters along the way, Fresh is a welcomed addition to the world of horror.
KIMI derails a scintillating premise with a routine thriller that is on its surface efficiently executed but belies the clever psychological start.
In the end, more of a thriller than a deep thought piece, Asking for It will leave you asking for more
With a tightly paced narrative and engaging characters, Huda’s Salon has more than just thrills to deliver.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
The Long Walk is a rich, complex tapestry of a film, woven together with elements of horror and science-fiction.
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
For her first report Kristy Strouse talks Fire of Love, Watcher and Lucy & Desi!