thriller
Rogue Agent isn’t your average spy movie—mostly because the central character is not your average spy.
Fall also builds on its characters, taking the idea of trust, love, redemption, and the will to survive to new heights.
If you’re looking for an escape from our current reality, then Emergency Declaration is probably not the summer blockbuster for you.
A performance-driven movie packed with quietly devastating moments, Resurrection should not be overlooked among the great horror films of this year.
While Piranha may not be the best horror film, even boarder lining ridiculous at times, it is undeniably entertaining.
In 1995, Devil in a Blue Dress didn’t receive the recognition it deserved. Despite positive…
While it crafts compelling images, She Will doesn’t do enough to stand out from other recent films to use psychological horror to tell a tale of #MeToo.
Film Inquiry spoke with writer/director Robbie Banfitch about the making of his newest film: The Outwaters.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.
A thought-provoking exploration of morality and mortality divided neatly into two parts, Miracle isn’t clear-cut or easy to comprehend, but it is compelling.