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Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
Don’t Worry Darling encourage passivity in their focus on the “seductiveness” of the material to the detriment of their politics.
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
Big stars giving wacky performances in a Mediterranean locale is essentially all one needs to know about Glass Onion.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Urban Legend may have become a legend of its own in the years since its release, yet it still retains its place within the slasher films of the 1990s.