Thomasin McKenzie
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
The Justice of Bunny King presents audiences with a mesmerizing character study on the undeterred spirit of motherhood.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer.
In our latest Page to Screen, Josh Sorensen examines the film adaptation of Jojo Rabbit and how it fails to adapt anti-Fascism.
True History of the Kelly Gang wants us to sympathize with a murderer who suffered great trauma from birth to death. It’s unfortunate that the film’s most critical moments fall flat.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
Jojo Rabbit is a movie that delivers on its promise of humor, yet it leaves a thought provoking imagery that speaks to the true prowess of the message behind the satire.
A letter to love each other by looking to the past through the eyes of a child, Jojo Rabbit is as ridiculous and audacious as it is sweet and charming.
Leave No Trace is Debra Granik’s first fiction feature in eight years, and proves that she is one of the social realist filmmakers most urgently needed in cinema right now.