Thomas Jane
Nuanced and deeply layered, The Mist proves itself not only to be a well crafted horror, but an example of the true power of adaptations.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.
1922 is a movie experience that does its due diligence to fester, just like the body that resides at the center of Wilfred’s shame.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.