Terence Davies

Writer/director Terence Davies has released only two narrative features since the turn of the millennium, The House of Mirth and The Deep Blue Sea. Both are acclaimed pieces about a woman trapped by circumstance, which makes his dogged fascination with the poor Scottish farm girl at the center of Sunset Song perfectly understandable. He pitched the film fifteen years ago but was unable to land financial backing, shelving the project after even an open letter in The Guardian didn’t bear fruit.