television
In this Tribeca Film Festival Round-up, Stephanie Archer looks at the films she saw that found that dominated their central focus and inspiration in oppression, fear and freedom.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Matthew St. Clair discusses the soul of classic science fiction films captured in this years break out hit The Handmaid’s Tale.
The Immortal Life of Henrietta Lacks tells the story of Henrietta Lacks, whose cells helped to give birth to modern bio-medicine.
Audio-visual media have become intertwined. For both to survive in a digital age, cooperation between TV and cinema has become a go-to strategy.
Imagine you are given a TV remote that has the power to transport you into another dimension and back in time. Imagine you accidentally allow the remote to do it. Well, that’s exactly what happens in the 1998 film Pleasantville.
I’m currently in the middle of binge-watching the Kevin Spacey/David Fincher created series House Of Cards on Netflix, and it really is something special. Being an avid movie fan, a character-driven plot is almost unheard of nowadays in the film industry (unless you’re the late Anthony Minghella: see here and here.
As I type this, Matthew McConaughey is the most in-demand actor in the world. The recent “McConaissance”, as this wonderful era will now and forever be known, has turned the once maligned rom-com regular’s reputation on its head and tapped into exactly what critics and audiences around the world want to see. So when Hollywood’s “it guy” says that television is the best way to create modern, character-driven stories, an alarm is set off.