Tahar Rahim
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
Film Inquiry’s Luke Parker recently spoke with director Kevin Macdonald about his award-contending drama, The Mauritanian.
A defense attorney, her associate and a military prosecutor uncover a far-reaching conspiracy while investigating the case of a suspected 9/11 terrorist.