SXSW
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
In his first report from SXSW Film Festival, Soham reviews I’m Fine (Thanks For Asking), Language Lessons and Islands!
In his first report from the 2021 SXSW Film Festival, Musanna reviews Kid Candidate, WeWork and The Lost Sons!
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Cargo fails on its promise to meld the concepts of science fiction, fantasy and Hinduism, and ends up feeling muddled.
We spoke with THE QUARRY director/co-writer Scott Teems, where we talked about the film’s many themes and how it was produced and brought to the big screen.
Finding Yingying isn’t an easy watch, but this documentary is powerful in how it captures a family in their most vulnerable moments.
Once Upon a Time in Uganda is a nice supplement to the ongoing, exciting story of Wakaliwood and the perfect thing to tie us over whilst we wait for their next awesome movie.
With its deeply rich messaging and intense showcase of tension, The Toll is definitely a film to add to your must-see list.
Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.
Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.
The Desire of Dilemma is an eye-opening and a vital informational showcase on female sexuality for everyone, today, yesterday and tomorrow.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.