Susan Sarandon
With an emotional family-focused core and some unique visual flourishes, Blue Beetle is surpisingly memorable.
Unable to truly lean into its moments and potential for humor and heart, Maybe I Do is a big don’t.
With their relationship at a crossroads, Michelle and Allen invite their parents to meet. But their parents already know each other, a little too well.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
Lily and Paul summon their loved ones to their beach house for one final gathering after Lily decides to end her long battle with ALS on her own terms.
American Mirror: Intimation of Immortality is a strange beast, an undefinable fever dream of artistic memories and clashing personalities that shrugs off expected genre conventions.
In Viper Club a war correspondent gets taken hostage, prompting his mother, impatient with the government’s lack of concern, to take matters into her own hands.
Survivors Guide to Prison is a terrifying must see. Featuring a vast array of legendary celebrities, it is less a documentary and more of an alarming SOS to America.
How To Make Money Selling Drugs (2012) is a documentary discussing the lucrative world of drugs and drugs dealing and how people get involved in the world, and, essentially, what should change to make the business less attractive. In a 90-minute feature, director (and melodramatic narrator) Matthew Cooke interviews a multitude of people among which musicians and actors like Curtis Jackson (50 Cent), Susan Sarandon, Woody Harrelson, Marshall Mathers (Eminem), a whole bunch of drug traffickers among which Brian O’Dea and Freeway Ricky Ross, people from the law enforcement, both pro and against the War on Drugs. I went into this movie without any prior knowledge.