supernatural
Director Adam MacDonald mostly succeeds with Pyewacket being a simple, heartfelt tale focusing on the disintegration of a mother/daughter bond, without too much background noise as a distraction.
Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?
Despite a tendency to overdo it when it comes to the scares themselves, Paco Plaza’s Veronica contains enough focus on character and symbolism to be an effective demonic possession horror.
Even though it promises a scary journey, Against the Night fails on all levels. The poorness of its plot, direction, and performances make this already short film more unbearable than it ought to be.
Thelma is an otherworldly take on the coming-of-age film, telling the story of a girl starting college and discovering herself in the process.
At times mysterious and intoxicating, Holy Terrors is an above average supernatural horror anthology – but it most definitely has its flaws.
The Atoning is an unoriginal, predictable, and underwhelming independent horror film, nothing you haven’t seen before but done much better.
In Suspiria, Argento’s use of space, lighting, vivid colors, grandiose set pieces, and Goblin’s score create a masterclass in suspense and subliminal terror.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
Camera Obscura is a terrifying glimpse at PTSD, seen through the eyes of a war photographer who comes home and starts to see grisly images.
The Bye Bye Man is an attempt at an urban legend slasher film that falls short due to its lack of scares and uninteresting story-line.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Halloween has come to an end, but some scary things follow us all year. One of them is our guilty pleasures. No matter how critical a film enthusiast can be, there will always be that bad film that is difficult not to love.
Is this any way to sell a board game? Hasbro’s perennial moneymaker “Ouija” is the basis of Universal’s micro-budget horror franchise in the making, and it’s hard to imagine a game manufacturer working any harder to discourage people from buying its product. The 2014 release Ouija opened at number one, and a followup was inevitable.