Sundance Film Festival 2022
“Leonor Will Never Die,” from director Martika Ramirez Escobar, is a movie pure in heart even when it falters.
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
In her last report Kristy Strouse reviews You Won’t Be Alone, Something in the Dirt, Palm Trees & Power Lines and Hatching!
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
Whether it’s science fiction or simply a sensational real-life story, who doesn’t enjoy an inventive…
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
In her second report from Sundance Film Festival Kristy Strouse reviews Cha Cha Real Smooth & Am I OK?
For her first report Kristy Strouse talks Fire of Love, Watcher and Lucy & Desi!
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.