suicide
Vital, raw and vulnerable, Nadine Crocker’s Continue is a bit of catharsis you didn’t know you needed.
Xavier Beauvois’ Albatros starts off as a low-key police procedural drama before transforming into a generic meditation on guilt and grief.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
‘It took a total of five years to complete this film’, says Jacqui Blue of…
Gavin Michael Booth faultlessly achieves the split-screen/single-take technique, while also exploring the matter of suicide with unadorned honesty.
Blue has a lot of heart, and being based on true events, never sugarcoats the reality of suicide ideation but it doesn’t glorify it either.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Better off Dead uses the tropes and political incorrectness of many 1980s teen comedies but its absurdity is able to undermine these regressive areas.
Just Say Goodbye is a laudable strive to enlarge the implications and the all-inclusive consequences of suicide.
A film that is laced with pride and hope without the frilly details of any other sports film, The Grizzlies is all about grit, raw and tender moments of belonging and the strength to continue on.
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.
As a narrative dive into the complexities of grief, State Like Sleep grazes the surface but doesn’t commit.
There are successful films buried within Bird Box, but it refuses to build any identity as a film beyond its concept.