STX Entertainment
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Where Toy Story found something deeply moving in a tale of toys, UglyDolls comes crashing down with all the moral engagement of a 1980s animated PSA.
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.
With its clichéd and unoriginal plot, The Happytime Murders proves the era of puppets for adult entertainment may not be as effective as it once was.
Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.