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The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
The Ripper, the eponymous killer, and the series expose the misogyny with aplomb at every step and moreover, it is persistently captivating.
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.
Penguins: Life on the Edge continues to be remarkable, capturing filmmakers risking life and limb to bring us footage of wonders yet unseen.
For their disability day special, Film Inquiry contributor Diego Andaluz interviewed Run’s director Aneesh Chaganty and co-producer Natalie Qasabian.
The Queen’s Gambit is stunning and exhilaratingly enjoyable, but it ultimately leaves me as a viewer just wanting more of it as a whole.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
The Social Dilemma is a deeply compelling treatise on why we’re so addicted to our devices while arguing the crucial need for change.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
Revry showcases LGBTQIA+ media, which is more important than ever. The queer community deserves a wide range of inclusive media!
Luke Parker recently had the pleasure of speaking with Norm Lewis about his experiences working on Da 5 Bloods, Spike Lee’s new film.