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Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Film Inquiry spoke with Ted Lasso’s musical supervisor Tony Von Pervieux about his work on the show and its latest season.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
Being Mary Tyler Moore not only is it full of personal remembrances, but it also her career that was so intimately intertwined with the rise of television.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
While Your Place or Mine finally brings these two stars together, it fails to truly reach the mark of success.
Stolen Youth is a vital docuseries in both the world of criminal segments and in the world of psychology.
Small as it may be, Arab viewers do play a part in Netflix’s algorithms and in generating insights for content. But who exactly are these Arab viewers?
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.