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While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Good Girls Revolt is a significant and powerfully expressive series about sexual discrimination and harassment.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
With The Criterion Channel, no matter what size screen you watch these classics on, the pictures are never small.
Though its most lasting power comes from characters on the fringes, Kid Icarus offers a rich and entertaining perspective on growing up aimless in the American West.
If cinema is to survive as anything resembling what we recognise it as today, then major theatrical exhibitors need to stop pissing into the howling gale that is the streaming revolution.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
With HBO, there is bound to be something you’ll like as the variety is heavy, the watchability high, and the quality is stunning.
In the battle between Spielberg and Netflix, it is not about the cinematic experience, rather than profitable business plan.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
With the unfortunate shutdown of FilmStruck, we now have the Criterion Channel – which may be a worthy alternative.
Netflix’s acquisition of The Little Prince from Paramount is a reminder that the industry is adapting to changing times and growing trends.
Last week, I had the pleasure to talk with Emily Best, who founded the company called Seed&Spark, a crowdfunded film studio. Seed&Spark helps independent filmmakers crowdfund their films, produce them and distribute them. In their own words:
It is easy to be a bit cynical about the state of modern commercial filmmaking. So many of today’s wide-released movies are either remakes of a remake of a remake or star a buff white dude fighting crime (usually in a cape or police uniform). With big studios investing so much money in the big movies we see today, they cannot afford to take huge risks.
For the next 30 days, Amazon own my soul. This isn’t the first time – in fact, whenever I subscribe to a new movie streaming service, I have a habit of trying to watch everything I want in that 30 day window so I cancel before I start having to pay. There are plenty of good reasons to stay subscribed to a website (and I’m not saying you shouldn’t), and there are a plethora of good streaming services available, but if you’re on a tight budget taking advantage of a free trial is the only option.