Steven Soderbergh
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
In Black Bag, When his wife is suspected of betraying the nation, an intelligence agent faces the ultimate test — loyalty to his marriage or his country.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
KIMI derails a scintillating premise with a routine thriller that is on its surface efficiently executed but belies the clever psychological start.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
A young man finds romance with a literary agent while taking a trip with the woman’s famous aunt and her friends.
Jake Tropila chronicles his top ten action films of the last decade.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
An alluring fixture with a hefty and enlightening impactful weight, The Laundromat drowns due to an overindulgence in material and excessive narrative.
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
Steven Soderbergh’s Unsane easily fits within the category of exploitation cinema, but why were critics willing to overlook some of its questionable morals (or lack thereof)? Emily Wheeler takes a deeper look.
In this report from the Berlinale in Berlin, Germany, Gus Edgar reviews Golden Bear winner Touch Me Not, Chinese film An Elephant Sitting Still, Soderbergh’s Unsane and more.
Unsane has been filmed with an iPhone, giving the picture a paranoia-fuelled low-fi fuzz. This is more than just a marketing gimmick, as Soderbergh’s film centers on the idea of stalking – a timely focal point considering the mass of sexual allegations that Hollywood has found itself mired in.
Unsane sees Soderbergh return to questions of the mind with the tale of a young woman being wrongly placed in a mental institution.