sports
For a studio whose storytelling style and command of visuals is so wonderfully inventive, in Early Man they’ve opted for the laziest, most obvious narrative trajectory imaginable, without even a winning sense of humour to back that up.
I, Tonya is a refreshingly dark comedy biopic about the famous 1994 Tonya Harding incident, and is laden with incredible performances.
Running in at just 15 minutes, Penalty’s unique style of cinematography and editing make it a powerful piece of cinema.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
25 years later, director Penny Marshall’s A League Of Their Own remains that rare thing: a sports movie with female characters to look up to.
Russian sports documentary Make them Believe brilliantly uses the lofty dreams of a college wrestler to examine how we chase our goals.
Icarus is a somewhat messy if also interesting look at the doping practices in Russian sports, with a director who gets in over his head.
More Than a Word discusses and explores the Washington football team’s controversial name, casting new light on a longstanding issue.
There isn’t a single original narrative element in this inspirational drama- but the insight into post-WWII Estonian life is fascinating.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Ice Guardians will broaden everyone’s view on the disparaged enforcers, framing itself as a plea to those who have sided against the bruisers without giving it much thought. After all, the lumbering men are just that, men, and Ice Guardians captures them and their role in all its complicated glory.
Edgar Ramírez is electrifying as welterweight boxing champion Roberto Durán in the new movie Hands of Stone. Unfortunately, writer/director Jonathan Jakubowicz’s routinely conceived, routinely executed boxing biopic is a dull canvas for a performance, slashed in such angry red brush strokes. The movie goes the distance, though not as cleanly or directly as we might have wished.
It’s Space Jam Week! Everybody get up, it’s time to slam now. We got a real jam goin’ down.