Spain

THE BAR: An Unfortunate Reflection of Today
THE BAR: An Unfortunate Reflection Of Today

The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.

CAPTURE: An Unusual & Fun Documentary
CAPTURE: An Unusual & Fun Documentary

The humor in Capture is one of its best qualities. This isn’t the humor that comes from telling a good joke, but rather from the spontaneous situations that the people find themselves in.

JULIETA: Pedro Almodovar's Almost-Return To Form
JULIETA: Pedro Almodóvar’s Almost-Return To Form

Julieta is an earnest drama and has been noticeably billed by Almodóvar himself as his welcome return to the “cinema of women”.

10 Essential Foreign Films

It may be fair to say that in the film industry, any motion picture that is not spoken in the English language is tagged under ‘foreign’. As we all know, Hollywood cinema is dominant among the world of film due to technological advancements, box office strategies for blockbusters, and stardom. For this reason, audiences are usually very selective when it comes to watching ‘foreign’ films.

The Beginner’s Guide to Foreign Film: 15 Must-Sees

There are a million great films outside the U.S, it’s just you haven’t seen them. Good fortune smiles on you today because I’m here to show 15 foreign flicks you should have seen a long time ago.

THREE MANY WEDDINGS Proves Comedy Is Universal

This movie is part of the Spanish Film Festival, which takes place during May. As one of the many films chosen to play at the Spanish Film Festival in 2014, Three Many Weddings (original title Tres Bodas De Mas) is a wild Spanish-language romantic comedy following a month in the life of Ruth (Inma Cuesta), the puppy-eyed lab scientist longing for love. When Ruth wakes up one morning from a drunken night of random love-making, she is faced with three wedding invitations – all from ex-boyfriends.

TO FOOL A THIEF Wines and Dines with Charm

This movie is screened during the Spanish Film Festival in Australia, taking place all May. In Ariel Winograd’s To Fool A Thief, we’re often reminded to think upon the kind of screwball comedies that made romance the immaterial ideal that critics so often found unbearable for its overtly fictitious realities – It Happened One Night, My Man Godfrey, The Great Ziegfeld and on and on the list goes. It’s not surprising during the course that Winograd’s film should reprise these classical thematic structures, but it’s presented in a fashion which is ultimately a distraction from the main action.