Sony Pictures Classics
It Ain’t Over gifts us with a deeper admiration for what Yogi Berra did with his life in all its many facets.
Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.
Just as Mallo does in the film’s final moments, Almodóvar reaches into the past to find new ways to create, to evolve, and eventually, find glory from pain.
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
For being his directorial debut, Milorad Krstić’s Ruben Brandt, Collector is an astounding example of how boundless the animation medium has become.
All Is True fails to really justify itself: it’s a patchwork of ideas that never really coalesces confidently.
Capernaum fuses documentary elements with a fictional narrative to tell one of the most emotionally impactful stories of the year.
The Leisure Seeker isn’t a bad film, but its sluggish pace, inexplicable changes between the film and the book, and some corny dialogue keep it from being great.