Sony
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Eli Roth’s Thanksgiving is a glorious return to his horror roots, a masterclass in skillfully-made, low-budget grindhouse terror.
From the brooding Dark Knight through the bulk of the MCU and into the Spider-Verse, the superhero spectrum showcases the many ways in which the genre can adapt and evolve.