social media

ASSASSINATION NATION: An Ugly Film For Ugly Times

A hard pill to swallow, Assassination Nation is a blunt, antagonistic, but masterful film, guided by a director who can so easily weave in between political horror, social injustice, dark comedy, and teen comedy.

SEARCHING: A Cautionary Tale Elevated by a Gimmick
SEARCHING: A Cautionary Tale Elevated By A Gimmick

A striking cautionary tale with authentic performances, Searching is a small thriller whose computer-screen gimmick actually elevates its subject matter.

PEOPLE YOU MAY KNOW: An Intelligent And Riveting Short (& Interview with Writer/director Louisa Fielden)
PEOPLE YOU MAY KNOW: An Intelligent And Riveting Short (& Interview with director Louisa Fielden)

Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.

UNFRIENDED: DARK WEB: The Slasher Gets A Software Update
UNFRIENDED: DARK WEB: The Slasher Gets A Software Update

Unfriended: Dark Web shows that by tapping into modern communication, it’s possible to create a new cinematic language for the slasher sub-genre.

EIGHTH GRADE: The Film Every Teenager Needs in their Lives Right Now
EIGHTH GRADE: The Film Every Teenager Needs In Their Lives Right Now

Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.

LIKE ME: A Visual Spectacle That Doesn't Need You To Like It
LIKE ME: A Visual Spectacle That Doesn’t Need You To Like It

Like Me is a visual spectacle that delves into the dark underbelly of social media, showing the lengths that people will go to in order to feel accepted on the internet.

BRAD'S STATUS: On Lives Lived Online
BRAD’S STATUS: On Lives Lived Online

Brad’s Status is a film about social media that is bolstered by its performances, but ultimately it is not particularly memorable.

FRIEND REQUEST: Report As Spam
FRIEND REQUEST: Report As Spam

After spending three years in post-production purgatory, Friend Request arrives in US cinemas – and is certainly not worth the wait.

INGRID GOES WEST: A Great Social Commentary But Only A Good Dark Comedy

Ingrid Goes West is a great commentary on our obsession with social media but while it is a good comedy it fails to be truly remarkable.

THE CIRCLE: More Obtuse Than Well-Rounded
THE CIRCLE: More Obtuse Than Well-Rounded

Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.

Filmmaking In The Age Of Social Media: An Interview With Filmmaker BRENDAN BRADLEY
Filmmaking In The Age Of Social Media: An Interview With Filmmaker Brendan Bradley

Filmmaker and actor Brendan Bradley discusses the increasing role that social media is having on creativity and the power of filmmaking.

DON’T HANG UP: Contemporary Horror At Its Simplest

Don’t Hang Up is a tense and effective low-budget thriller, though it misses out on fully probing the dangers of online bullying.

The Media, They Are A Changin': A Future Of Cinematic Television
The Media, They Are A Changin’: A Future Of Cinematic Television

Times are changing in the way of television as the bond between cinema and television screens are getting stronger. An observation of current trends.

NERVE: We Have Met the Villain And He Is Us
NERVE: We Have Met the Villain And He Is Us

The suspense thriller gets a modern makeover in Nerve, which takes on both modern cyber culture and the cult of instant celebrity in a slickly produced, fast-paced crowd-pleaser aimed straight at the audience that’s the most likely to get it. Nerve is self-consciously cool to a fault, but it does know who its target audience is. Nerve is particularly timely in light of the current worldwide furor over Pokémon GO.

Social Media: An Essential Tool For The Indie Filmmaker?

An independent filmmaker wears many different hats: director, writer, producer, investor, et cetera. Now add to this list social media manager.